SCHOOL MARM

8" x 8"
mixed media on illustration board
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8" x 8"
mixed media on illustration board
12" x 8"
acrylic on board
Recently screened "Pollock" with Ed Harris as Jackson Pollock. Very inspiring in the sense that the bio-pic explores what every fine artist must decide: Why I am I doing this and how can I sustain the meaning.
I highly recommend the movie for its lust for creative freedom and the courage it takes to pull it off.
This, of course, is NOT my genre of work, but I must admit it's very entertaining to
dabble.
This is my idea of up-dating a cover illustration for an all-time classic.
If I were to start blogging about bloggers who blog about bloggers who blog about other bloggers....would I create a rip in Time/Space Continuim and cease to exist?
40" x 30"
oil on canvas
I did this for Allen Forkum a few issues back.
9" x 7"
watercolor on paper
24" x 24"
oil on masonite
Impress your friends!..Bore your enemies! Here's six easy steps to create an Obama caricature:
1. Start with a deflated balloon shape. Chin is pointy.
2. Towards the top, plant two Shrek-like ears. BIG IS GOOD.
Create a quick hairline.
Scrub in a UNI-BROW. Pensive and extra thick.
3. A WIIIIIIIIDE nose. Nostrils should flare as if he smells a photo-op.
4. Emphasize the space between the bottom of the nose the top of his luxuriant Pan-
Asian lips. They have a femine quality because of the distinct, angular shape of
top lip. Bottom is very prominent. Frowning makes him A THINKER.
5. Add smile (frown?) lines. Ravine-like, past the corners of the mouth.
6. Ink and shade accordingly.
THERE YOU HAVE IT. NOW GO GET THAT CARTOONIST JOB AT SHOP-N-SAVE GAZETTE.
SECOND INCINERATOR STARK PLUNGES INTO THE XANKHA UNDERWORLD TO UNRAVEL FAMILY SECRETS...
Had fun taking the famous Portrait of a Man by Raphael and giving it the ol' Photoshop treatment.
My friend Steve McAfee over at The Phantom Darkroom is doing some hilarious stuff with Icelandic Christmas tradtions. Go find out what a Sausage Snatcher is.
48" x 30"
oil on canvas
I painted this as a companion piece to "Silver Ankh" (posted Ocober 31, '08).
A little experiment. I took a small pastel landscape (11" x 6") I found in my sketchbook and photoshopped into a benign office setting. Once the scale is expanded to fit on the wall, the "small" piece has a depth and weight to it that surprised me.
I think taking some of my smaller pieces and blowing them up ten times (or so) might be a fun way to develop a new body of work.
I thought it might be interesting to show how I develop a painting. It is 48" x 24".
The first layer establishes rudimentary texture. This is done with acrylic washes.
In the next few days, I'll show the different steps as I go to finish.
TAXI
40" x36"
acrylic on canvas
I did this piece twenty-one years ago.. Allen Forkum bought it but I can't remember why. It probably matched his floor or something.
I layed the beginning layers and skin tones for the face with thin washes. I like to do this early to establish a focal point as well as add subtle layers to the "weathering" process.
For those interested in keeping track of the developmental stages of my new paintings, click on PAINTER AT WORK under the "catergories" side bar. I'll try to shoot and post photos regularly as the finished paintings emerge.
I've just moved to a very functional art space where I'll be producing as much new, BIGGER work as I possibly can.
Watch out...this may get messy.
Adding another layer of "grime" puts the focal area farther back into the "stone" wall. Since I'm shooting for a trompe l'oeil effect, "Build. Destroy. Rebuild." is my theme.
The next phase will be putting new shadows and highlights into the face.
Right about here I start jonesing for details I may use later on. I darken certain areas and the facial features get alot of attention. I consider it a dry run for the emotional value I'm shooting for. At this stage I'm getting a sense of how I want to finish. It may sound odd, but this is when the painting TELLS ME where to go next.
I wanted to soften the profile with a twined leaf wreath. It adds a neat dreaminess (Puck?) to the face and gives me a chance to introduce a cool (that is, "not warm") complimentary color to such a reddish composition (so far).
I'll be darkening the canvas and adding more texture next go round.
MERRY CHRISTMAS TO ALL AND TO ALL A JAIL-FREE NIGHT!
We seem to be in the midst of a Hollywod blitzkrieg of Nazi movies. Let's count them, shall we?
(now playing)
"The Boy in the Striped Pajamas"
"The Reader"
"Valkyrie"
(coming soon)
"Defiance"
"Good"
Without having to debate these movies on moral grounds, it's easy to see Oscar considers downer movies high art. This year's theme? NAZIS, TOO, HAD YEARNING HEARTS. (Let's not quibble about that world-domination thing, though).
48" x 24"
oil on canvas
So here's the finished painting. Thanks for putting up with my little experiment. I got a kick out of all the comments.
I'll be trying this again soon.
John Cox is a painter, cartoonist, and illustrator for hire. For information about purchasing existing work or commissioning new work, contact him by e-mail at john555cox [at] hotmail.com.
This page contains all entries posted to John Cox Art in December 2008. They are listed from oldest to newest.
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